Tango Mahi – Tanda of the Week – Milongas by Juan Carlos Cáceres.
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During a 2005 interview he said of himself, “I am like a kind of UFO for the tango world, … because for a time I went against the current of things”.
In 1955 Cáceres was 19 years old when the military first seized power from President Juan Peron, and set about establishing and enforcing rules to prevent Argentinians from any gatherings and activities that the junta considered to be contrary to their ability to keep control of the country. This included an undermining of many aspects of Argentina’s popular culture that had been encouraged by Juan and Evita Peron, of which tango music, songs and dancing were central.
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Painting by Juan Carlos Cáceres
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Painting by Juan Carlos Cáceres
Unable to find musicians in France who could play piano and sing his compositions as he wanted them performed, he chose to take on both these roles himself and over time recorded and released six albums of his own compositions as well as his own arrangements of traditional tangos. These recordings achieved a unique blend of traditional African, Cuban and Argentinian candombe-habanera-milonga rhythms with tango and jazz syncopations that drew on the ideas of Astor Piazzolla and other progressive tangueros.
Cáceres was hugely respected by many of the progressive tango groups that emerged through the 1990s and early 2000s.
For the Tanda of the Week I have chosen three of his milongas:
Tango Negro
Tango Retango
Toca Tango
Check out the 2010 YouTube clip of Francisco Forquera y Carolina Bonaventura dancing to Tango Negro: